Mainwaring tells the story of Handel’s secret attic spinet: Handel “found means to get a little clavichord privately convey’d to a room at the top of the house. To this room he constantly stole when the family was asleep”. Although both John Hawkins and Charles Burney credited this tale, Schoelcher found it nearly “incredible” and a feat of “poetic imagination” and Lang considers it one of the unproven “romantic stories” that surrounded Handel’s childhood. But Handel had to have had some experience with the keyboard to have made the impression in Weissenfels that resulted in his receiving formal musical training.Sometime between the ages of seven and nine, Handel accompanied his father to Weissenfels where he came under the notice of one whom Handel thereafter always regarded throughout life as his benefactor, Duke Johann Adolf I.[i] Somehow Handel made his way to the court organ in the palace chapel of the Holy Trinity, where he surprised everyone with his playing. Overhearing this performance and noting the youth of the performer caused the Duke, whose suggestions were not to be disregarded, to recommend to Georg Hndel that Handel be given musical instruction. Handel’s father engaged the organist at the Halle parish church, the young Friedrich Wilhelm Zachow, to instruct Handel. Zachow would be the only teacher that Handel ever had. Because of his church employment, Zachow was an organist “of the old school”, reveling in fugues, canons and counterpoint. But he was also familiar with developments in music across Europe and his own compositions “embraced the new concerted, dramatic style”.[j] When Zachow discovered the talent of Handel wigs for women human hair, he introduced him “to a vast collection of German and Italian music, which he possessed, sacred and profane, vocal and instrumental compositions of different schools, different styles, and of every master”. Many traits considered “Handelian” can be traced back to Zachow’s music. At the same time Handel continued practice on the harpsichord, learned violin and organ, but according to Burney his special affection was for the hautbois (oboe). Schoelcher speculates that his youthful devotion to the instrument explains the large number of pieces he composed for oboe..
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